mAtE malaya (daru varNa)

 

RAGAM- khamAs (28th melakartha (HariKambodhi) Janyam)

                              ARO:      S M1 G3 M1 N2 D2 N2 P D2 N2 S       ||

AVA :     S N2 D2 P M1 G3 R3 S                                       ||

Talam: Adi (2 kalai)

Composer: Mysore Vasudevacharya

Version: T M Krishna (Youtube: https://www.youtube.com/watch?v=v_7S_ZCs44Q )

Lyrics Courtesy: Lakshman Ragde

Meanings Courtesy: ChatGPT Plus (with edits)

Youtube Class: https://www.youtube.com/watch?v=CEb-AFf8hAc

Pallavi:

mAtE malayadvaja pANDya samjAtE mAtanga vadana guha

 

Anupallavi:

shAtOdari shankari cAmuNDEshvari candra kalAdhari tAyE gauri

 

MuktAyi svara sAhityam:

dAtA sakala kalA nipuNa catura dAtA vividha mada samaya samarasa

dAtA sulabha hrdaya madhura vacanadAtA sarasa ruciratara svara laya

gIta sukhada nija bhAva rasika vara dAta mahishUra nAda nAlvaTi shrI

krSNa rAjEndrara tAyE sadA pore mahite harikEsha manOharE sadayE

 

Charanam:

shyAmE sakala bhuvana sArvabhaumE shashi maNdala madyagE

 

Meaning: (Courtesy: R Shankar & Ganesh, Rasikas.org https://www.rasikas.org/forums/viewtopic.php?t=13249  )

 

Pallavi: Sahityam: mAtE malayadhvaja pANDya sanjAtE mAtanga vadana guha (mAtE)

Meaning: Oh mother of the elephant (mAtanga)-faced (vadana) one and kArtikEya (guha), and the daughter (sanjAtE) [1] of the pANDya king malayadhvaja.

 

mAtE: Oh mother

malayadhvaja: Malayadhvaja (name of a Pandya king)

pANDya: Of Pandya (a South Indian dynasty)

sanjAtE: Born or daughter

mAtanga: Elephant

vadana: Faced

guha: Referring to Guha (Kartikeya), also interpreted as Ganesha

 

Anupallavi: Sahityam: shAtOdari shankari cAmuNDEshvari candrakalAdhari tAyE gaurI (mAtE)

Meaning: Oh mother (tAyE), who is fair complexioned (gauri) and slender-waisted (SATOdari)! You are the creator (kari) of auspiciousness (SaM), oh durgA (cAmuNDESvari), who wears (dhari) the crescent moon (candarakalA)!

 

shAtOdari: Slender-waisted

shankari: Consort of Shiva; creator of auspiciousness

cAmuNDEshvari: Goddess Chamundeshwari; a form of Durga

candrakalAdhari: Bearer of the crescent moon

tAyE: Mother

gaurI: Fair-complexioned

 

muktaayi swara saahityam

Sahityam: dAtA sakala kalA nipuNa catura dAtA sulabha hrdaya madhura vacana

Sahityam: dAtA sarasa ruciratara svara laya gIta sukhada nija bhAva rasika vara dAtA mahishUra nAtha nAlvaDi shrI

Sahityam: krSNa rAjEndrara tAyE sadA pore mahite harikEsha manOharE sadayE (mAtE)

 

Oh mighty (mahitE) mother (tAyE), the compassionate (sadayE) beguiler (manOharE) of the golden/red (hari)-tressed (kESa) [2] Siva, please protect (porE) my benefactor (dAtA), the maharAja (nAtha) of mysUru (mahiSura), SrI kRshNa rAjEndra oDeyAru the fourth (nAlvaDi) at all times (sadA), for he is the benefactor (dAtA) who possesses skilled (catura) expertise (nipuNa) in all (sakala) art-forms (kalA); he has an open/easily obtainable/simple (sulabha) heart (hRdaya); his speech (vacana) is sweet (madhura) ; and he is the supreme/eminent (vara) rasika of the intrinsic (nija) meaning (bhAva) and joy (sukhada) of music - the notes (svara), the rhythm (laya) and the lyrics (gIta) - that is filled with rasAnubhava (sa-rasa) of unsurpassing brilliance/splendor (rucira-tara)!

 

Sahityam: dAtA sakala kalA nipuNa catura dAtA sulabha hrdaya madhura vacana

… he is the benefactor (dAtA) who possesses skilled (catura) expertise (nipuNa) in all (sakala) art-forms (kalA); he has an open/easily obtainable/simple (sulabha) heart (hRdaya); his speech (vacana) is sweet (madhura) ;

 

dAtA: Giver; benefactor

sakala: All; every

kalA: Arts; skills

nipuNa: Skilled; expert

catura: Clever; dexterous

sulabha: Easily accessible; simple

hRdaya: Heart

madhura: Sweet

vacana: Speech; words

 

Sahityam: dAtA sarasa ruciratara svara laya gIta sukhada nija bhAva rasika vara dAtA mahishUra nAtha nAlvaDi shrI

 

… he is the supreme/eminent (vara) rasika of the intrinsic (nija) meaning (bhAva) and joy (sukhada) of music - the notes (svara), the rhythm (laya) and the lyrics (gIta) - that is filled with rasAnubhava (sa-rasa) of unsurpassing brilliance/splendor (rucira-tara)!

… Oh mighty (mahitE) mother (tAyE), the compassionate (sadayE) beguiler (manOharE) of the golden/red (hari)-tressed (kESa) [2] Siva …

 

sarasa: Juicy; essence

ruciratara: More delightful or splendid

svara: Notes; sound

laya: Rhythm; tempo

gIta: Song; singing

sukhada: Pleasure-giving; delightful

nija: Own; inherent

bhAva: Feeling; emotion

rasika: Connoisseur; one who appreciates

vara: Excellent; best

mahishUra: Mysore (a city in India)

nAtha: Lord; ruler

nAlvaDi: Fourth

shrI: Respected; holy

 

Sahityam: krSNa rAjEndrara tAyE sadA pore mahite harikEsha manOharE sadayE (mAtE)

… please protect (porE) my benefactor (dAtA), the maharAja (nAtha) of mysUru (mahiSura), SrI kRshNa rAjEndra oDeyAru the fourth (nAlvaDi) at all times (sadA),

 

krSNa: Krishna

rAjEndrara: King

tAyE: Mother

sadA: Always; ever

pore: Protect; care for

mahite: Great; glorious

harikEsha: Hari (Vishnu) or hair; also a reference to Shiva

manOharE: Enchanting; captivating

sadayE: Compassionate; merciful

 

 

caraNam

Sahityam: shyAmE sakala bhuvana sArvabhaumE shashi maNDala madhyagE (mAtE)

Oh dark-hued one (SyAmE), the empress (sArvabhaumE) [3] of the entire (sakala) collection of worlds/universes (bhuvana), you occupy the center (madhyagE) [4] of the never-waning center of the 16th phase of the ob/circle (maNDala) of the moon (SaSi).

 

shyAmE: Dark-complexioned

sakala: Entire; all

bhuvana: Worlds; realms

sArvabhaumE: Empress; sovereign

shashi: Moon

maNDala: Orbit; circle

madhyagE: In the middle; center

 

FOOTNOTES

[1] Although she is refred to as having been born to King malayadhvaja, mInAkshi appeared from the sacrificial fire during a putrakAmEShThi yAga performed by the childless king

[2] harikESa is the mudra of the composer

[3] sArvabhaumE already means empress of the world - so sakala bhuvana sArvabhaumE seems like tautology

[4] Translating the last part of the caraNam contextually - do not know the significance of the SaSi maNDala

 

EDITED with Keerthi's explanations/corrections and Ganesh's input/corrections.

 

 

Pallavi:

mAtE malayadvaja pANDya samjAtE mAtanga vadana guha

 

Pallavi: Sahityam: mAtE malayadhvaja pANDya sanjAtE mAtanga vadana guha (mAtE)

Meaning: Oh mother of the elephant (mAtanga)-faced (vadana) one and kArtikEya (guha), and the daughter (sanjAtE) [1] of the pANDya king malayadhvaja.

 

mAtE: Oh mother

malayadhvaja: Malayadhvaja (name of a Pandya king)

pANDya: Of Pandya (a South Indian dynasty)

sanjAtE: Born or daughter

mAtanga: Elephant

vadana: Faced

guha: Referring to Guha (Kartikeya), also interpreted as Ganesha

 

 

      1                2                3                    4                       5                     6                    7                  8

nDn NS      ; ; - N R     S ,n  N D    P,m   P -    nd   |   M G - M ;      ;  ; - M,m     mmN D – N    rs nd – P P  ||

mA- tE-      - -  mala     ya-  dvaja   pAN-Dya sam(n) jA-     tE -      -  -   mA-     tan -   ga  va   da-na-  guha

 

nDn NS      ; ; - N R     S ,n  N D    P,m   P -    D   | pM, G - M ;      ;  ; - M;        M N D – N    rs nd – P P  ||

mA- tE-      - -  mala     ya-  dvaja   pAN-Dya sam(n) jA-     tE -      -  -   mA-     tan -   ga  va   da-na-  guha

 

nDn srns      ; ; - N R     S ,n  N D    P,m   P -   rr   | sn dpmg- M;     ;  ; - M;       gm N D – sn   rs nd – P P  ||

mA- tE-      - -  mala     ya-  dvaja   pAN-Dya sam(n)- jA-   -  tE -   -  -   mA-     tan -   ga  va   da-na-  guha

 

      1                   2                3                   4                       5                     6                    7                  8

nDn srgm gr  S ; - ,dN  sRnS ,  , nD  P,m  P - gmpd | nrsn dpmg- M;   ;  ; - M;    gm N D – sn   rs nd – P P  ||

mA- tE-    - -  - -  mala  ya-  -    dvajapAN-Dy san-    - - -  jA-   -  tE -   -   mA-   tan -   ga  va   da-na-  guha

 

Anupallavi:

shAtOdari shankari cAmuNDEshvari candra kalAdhari tAyE gauri

 

Anupallavi: Sahityam: shAtOdari shankari cAmuNDEshvari candrakalAdhari tAyE gaurI (mAtE)

Meaning: Oh mother (tAyE), who is fair complexioned (gauri) and slender-waisted (SATOdari)! You are the creator (kari) of auspiciousness (SaM), oh durgA (cAmuNDESvari), who wears (dhari) the crescent moon (candarakalA)!

 

shAtOdari: Slender-waisted

shankari: Consort of Shiva; creator of auspiciousness

cAmuNDEshvari: Goddess Chamundeshwari; a form of Durga

candrakalAdhari: Bearer of the crescent moon

tAyE: Mother

gaurI: Fair-complexioned

 

      1                2                3                  4                       5                     6                    7                  8

D,n sndp   G M D,n      S S   ;  ;      ; ;  ;  ;       |       ;  ;   ; ;              ;  ;   ;  ;           ;  ;  ;  ;        ;  ;  ;   ;   ||

shA tO--   da- ri shan-   kari

 

D,n sndp   G M D,n      S S -D N     S R – M G  |   R S – NS         R-sn rs nd     dnS- dn Srs    nd-  P nd M   ||

shA tO--   da- ri shan-   kari cA-    muN-   DE-     shvari can-     dra ka-lA- --   dha-ri tA- -    yE    gau- ri

 

D,n rs ndp mgM D,n  rsS S -D N     S R – M G  |   R S – NS         R-sn rs nd     dnS- dn Srs    nd-  P nd M   ||

shA tO--   da- ri shan- kari    cA-    muN-   DE-     shvari can-     dra ka-lA- --   dha-ri tA- -    yE    gau- ri

 

 

D,n md  nrrsS dp mgM D,n  rsS S -DN  SR –pmmg G | RS –NS  R-sn rs nd     dnS- dn Srs    nd-  P nd M   ||

shA tO--   - -    -- da-ri shan  ka- ri  cA-muN- DE-    -  shvari can-draka-lA- -- dha-ri tA- -     yE   gau- ri

 

MuktAyi svara sAhityam:

dAtA sakala kalA nipuNa catura dAtA vividha mada samaya samarasa

dAtA sulabha hrdaya madhura vacanadAtA sarasa ruciratara svara laya

gIta sukhada nija bhAva rasika vara dAta mahishUra nAda nAlvaTi shrI

krSNa rAjEndrara tAyE sadA pore mahite harikEsha manOharE sadayE

 

      1                2                3                4                5                     6                    7                  8

D ;  D ;     N D – DN    D-DND    DNPM   |  mD, ;  D ;     N R S- N      S D N S      D P mpmm  ||

D ;  D ;     N G R – N   R S– ND   P N nd M | D,p nDm    M G M P     MP D D     D N DM  ||

D ;   D- R   S N dsN     D ;   D-M   D N – M snN |  D ; D- nr  ss-P D N   D ; D -M   G R S sN,   ||

D ; D -  P   D ; D- N      D ;   D –S   D ; - R D   | ; M G R      S N – D ;    N S N N    D D P M   ||

 

      1                     2                    3                   4                   5                  6                    7                  8

D D-nddn     d-dnd-dnpm    D D-nrs-n   s dns dpmm  | D D ngr-n  rs – nd pndm   DD mgmp  mpdd-dndm  ||

Dd-rsndn      Dd-mdnmn     Dd-sspdn    Dd-mgrsn   |   Dd-pDd-n   Dd-sD-rd |  , mgrsn-D      nsnnddpm    ||

 

      1                2                3                4                5                     6                    7                  8

D ;  D ;     N D – DN    D-DND    DNPM   |  mD, ;  D ;     N R S- N      S D N S      D P mpmm  ||

ThamThamTaka Janu ta  Dimita Tari ki ta   Jam     Jam    Kukunta ri     TaJanuta     D P M M

 

 

D ;  D ;     N G R – N   R S– ND   P N nd M | D,p nDm    M G M- P     MP D D     D N DM  ||

ThamTham NGR    N  R S  Thimi Tari ki ta    Jam Jam     Takita- Ta    Kukuntari  Nam-tari

 

D ;   D- R   S N dsN     D ;   D-M   D N – M snN |  D ; D- nr  ss-P D N   D ; D -M   G R S sN,   ||

D ;   D- Ninki na ta ri    Je   ku  M   D N   M  ka     Jam ta S  S   Thimita TomtaDhimi ta ki ta

 

D ; D -  P   D ; D- N      D ;   D –S   D ; - R D   | ; M G R      S N – D ;    N- S N -N    D D P M   ||

D ; D -  P   D ; D -Ta      re    ku  S D ;     R Jam - M G R       S N    D ;  N Taka Ta  din gi  na tom

 

      1                     2                    3                   4                   5                  6                    7                  8

D D- nddn    d-dnd-dnpm    D D- nrs n -s-dns dpmm  | D D ngr-n  rs – nd pndm   DD mgm-p mpdd-dndm  ||

TamTamTakaJanu     ta Dimita Tari ki ta         Jam Jam Kukuntari TaJanuta    d p m m        ThamTham ngr n   rs           Thimi Tarikita       JamJam Takita- Ta  Kukuntari Nam-tari 

 

Dd-rsndn      Dd-mdnmn     Dd-sspdn    Dd-mgrsn   |   Dd-pDd-n   Dd-sD-rd |  , mgrsn-D    n-snn d  dpm    ||

D d- Ninkina tari         Je  ku  m d n m  ka          Jam ta ss Thimita     TomtaDhimi takita      D d -  p D d  -   Ta      re ku  sD     r Jam -      m g r s n    D           n TakaTadin gi natom

 

Sahityam: dAtA sakala kalA nipuNa catura dAtA sulabha hrdaya madhura vacana

… he is the benefactor (dAtA) who possesses skilled (catura) expertise (nipuNa) in all (sakala) art-forms (kalA); he has an open/easily obtainable/simple (sulabha) heart (hRdaya); his speech (vacana) is sweet (madhura) ;

 

dAtA: Giver; benefactor

sakala: All; every

kalA: Arts; skills

nipuNa: Skilled; expert

catura: Clever; dexterous

sulabha: Easily accessible; simple

hRdaya: Heart

madhura: Sweet

vacana: Speech; words

 

      1                2                3                4                5                     6                    7                  8

D ;  D ;     N D – DN    D-;  D N   D NPM   |  mD, ;  D ;     N R S- N      S - D N S      D P mpmm  ||

dA- tA-    sa ka   la ka  lA – nipu  Na catura   dA-     tA      vividha ma   da  samaya    sama ra sa

 

D ;  D ;     N G R – N   R S– ND   P-  N nd M | D,p nDm    M G M- P     MP D D     D N DM  ||

dA  tA     su labha   hr daya  madhura vaca na  dA-  tA-      sa ra sa  ru    ci ra tara     svara laya

 

Sahityam: dAtA sarasa ruciratara svara laya gIta sukhada nija bhAva rasika vara dAtA mahishUra nAtha nAlvaDi shrI

 

… he is the supreme/eminent (vara) rasika of the intrinsic (nija) meaning (bhAva) and joy (sukhada) of music - the notes (svara), the rhythm (laya) and the lyrics (gIta) - that is filled with rasAnubhava (sa-rasa) of unsurpassing brilliance/splendor (rucira-tara)!

… Oh mighty (mahitE) mother (tAyE), the compassionate (sadayE) beguiler (manOharE) of the golden/red (hari)-tressed (kESa) [2] Siva …

 

sarasa: Juicy; essence

ruciratara: More delightful or splendid

svara: Notes; sound

laya: Rhythm; tempo

gIta: Song; singing

sukhada: Pleasure-giving; delightful

nija: Own; inherent

bhAva: Feeling; emotion

rasika: Connoisseur; one who appreciates

vara: Excellent; best

mahishUra: Mysore (a city in India)

nAtha: Lord; ruler

nAlvaDi: Fourth

shrI: Respected; holy

 

D ;   D- R   S  N  dsN     D ;   D-M   D N – M snN |  D ; D- nr  ss-P D N   D ; D -M   G R S sN,   ||

gI-   ta   su khada nija    bhA va ra    si ka  va  ra-     dA- ta ma-hi-shU-ra  nA-da  nAl-  vaTi shrI

 

Sahityam: krSNa rAjEndrara tAyE sadA pore mahite harikEsha manOharE sadayE (mAtE)

… please protect (porE) my benefactor (dAtA), the maharAja (nAtha) of mysUru (mahiSura), SrI kRshNa rAjEndra oDeyAru the fourth (nAlvaDi) at all times (sadA),

 

krSNa: Krishna

rAjEndrara: King

tAyE: Mother

sadA: Always; ever

pore: Protect; care for

mahite: Great; glorious

harikEsha: Hari (Vishnu) or hair; also a reference to Shiva

manOharE: Enchanting; captivating

sadayE: Compassionate; merciful

 

D ; D -  P   D ; D- N      D ;   D –S   D ; - R D   | ; M G R      S N – D ;    N-  S N N    D- D P M   ||

Kr SNa rAjEn-dra ra     tA-  yE  sa  dA  (p)ore     maha te     hari    kE-   sha manOha rE sadayE

 

      1                     2                    3                   4                   5                  6                    7                  8

D D-ndd-n   D-dnd- dpm    D D-nrs- n  s  dns dpmm  |D D ngr- n rs – snd-pdm   DD mgm-p  mpdd-dndm  ||

dA tA sakala ka   lA nipuNa catura      dAtA VividhaMada SamayaSamarasa    dAtA SulabhaHrdaya MadhuraVacana dAtA SarasaRu cira tara Svaralaya

 

Dd-rsndn      Dd-mdnmn     Dd-sspdn    Dd-mgrs-n   |   Dd- pDd- n   Dd-sD-rd |  , mgrsn-D  n sn nd    dpm  ||

gIta  SukhadaNija bhAvaRasikaVara      dAta MahishU-ra nAdaNAl-vaTiShrI     KrSNa rAjEndra Ra  tAyE sadA ore    Mahate-Hari  kE shaManOharE SadayE

 

 

      1                   2                3                   4                       5                     6                    7                  8

nDn srgm gr  S ; - ,dN  sRnS ,  , nD  P,m  P - gmpd | nrsn dpmg- M;   ;  ; - M;    gm N D – sn   rs nd – P P  ||

mA- tE-    - -  - -  mala  ya-  -    dvajapAN-Dy san-    - - -  jA-   -  tE -   -   mA-   tan -   ga  va   da-na-  guha

 

Charanam:

shyAmE sakala bhuvana sArvabhaumE shashi maNdala madyagE

 

caraNam

Sahityam: shyAmE sakala bhuvana sArvabhaumE shashi maNDala madhyagE (mAtE)

Oh dark-hued one (SyAmE), the empress (sArvabhaumE) [3] of the entire (sakala) collection of worlds/universes (bhuvana), you occupy the center (madhyagE) [4] of the never-waning center of the 16th phase of the ob/circle (maNDala) of the moon (SaSi).

 

shyAmE: Dark-complexioned

sakala: Entire; all

bhuvana: Worlds; realms

sArvabhaumE: Empress; sovereign

shashi: Moon

maNDala: Orbit; circle

madhyagE: In the middle; center

 

      1                2                3                  4                   5                 6                7               8

M , G , M    ;  ; - P S     S – N D M  P S N D |  M G ;- M      ;  ; - P D     N S N D   P M P D   ||

shyA-  mE  -  -    saka   la   bhuvana sA—rva   bhau-  mE    -  -  shashi maN-dala  ma- dyagE

 

(laya pattern 3 + 3 + 3 + 3 + 4 first half;  second half 3 + 3 + 2 and 4 + 4)

 

M , G , mp   GM- P S    S –ns nd M  P S N D |  M G ;- M      ;  ; - P D     N S N D   P M P D   ||

shyA-  mE  -  -    saka   la  bhuvana sA—rva    bhau-  mE    -  -  shashi maN-dala  ma- dyagE

 

M , G , mp   GM- P S    S –ns nd M  PrsS N D |  M ,G ,- M      ;  ; - P D    nsr-nsn D   P M P sn   ||

shyA-  mE  -  -    saka   la  bhuvana sA— - rva    bhau-  mE    -  -  shashi maN-dala  ma- dyagE

 

dpmg  ;   M   ; ;- P R    S –ns nd M gmpd nrss |  dpmg- M ;     ;  ; - P D    N S N D   P M P D     ||

shyA- -  mE   --  saka   la  bhuvana sA— - rva    bhau-  mE    -  -  shashi maN-dala  ma- dyagE

 

Chitta Swaras:

#1

1                       2                3              4               5                 6                7               8

M , G , M     ;  ; -  PN    D-DP-P   M- GMP  | M ;  ;  M      ;  ;   ;   ;           ;  ;   ;  ;     ;  ;   ;   ;  ||

M , G , M     ;  ; -  PN    D-DP-P   M- GMP  | mmdppmG- M  ;  -ND        M  ;   ;  S     N D P D  ||

 

dpmg  ;   M   ; ;- P R    S –ns nd M  P N D P  |  M , G , - M ;     ;  ; - P D    N S N D   P M P D     ||

shyA- -  mE   --  saka   la  bhuvana sA— - rva    bhau-  mE    -  -  shashi maN-dala  ma- dyagE

 

#2

1                       2                3                  4                   5                 6                7               8

ND ND          D P  P M     P  ;   P ;      N D P M    |  G P M ;       ND M ;     S N D P    M ; N D   ||

Alt (expanded gamakas for underlying notes)  

ND ND          D P  P M     D P  P ;      N D P M    |  G P pmM ;       ND dppmM;   S N D P    mpmm nsnd  ||

 

dpmg  ;   M   ; ;- P R    S –ns nd M gmpd nrss |  dpmg- M ;     ;  ; - P D    N S N D   P M P D     ||

shyA- -  mE   --  saka   la  bhuvana sA— - rva    bhau-  mE    -  -  shashi maN-dala  ma- dyagE

 

 

 

#3

1                       2                3                  4                   5                 6                7               8

S S ; - S     N D N S     N , D , - P     M G M P | M , M , M     S M G M     P S N D    N P D N   ||

S S ; - S     N D N S     N , D , - P     M G M P | M , M , M     S M G M     P S N D    N M G R   ||

S S ; - S     N D N S     N , D , - P     M G M P | M , M , M     S M G M     P rs N D    N ;   ;   ;    ||

D D N – P   P D N-M  P D N – S     M G M  P | D N  S – M    G M G R    S N D –N   D G M D ||

 

dpmg  ;   M   ; ;- P R    S –ns nd M  P N D P  |  M , G , - M ;     ;  ; - P D    N S N D   P M P D     ||

shyA- -  mE   --  saka   la  bhuvana sA— - rva  bhau-     mE    -  -  shashi maN-dala  ma- dyagE

 

#4

1                       2                3                  4                   5                 6                7               8

Flat (MGM D)    (slide N to lower S)                                                      (high G)

N ;  ; - M     G ;  M ;     D ;  N – ;     ; S M N     |  G ,  M , S       N ; M ;      ND – G ;      ;  ;  N G  ||

R G ; - D     ;  R N ;       ;  S D  ;        N ;  P ;       |  D- S  M ;      G M N ;     D ; ; - N     D – G M D  ||

                                                                                 (high S, low M)    (SN)

 

dpmg  ;   M   ; ;- P R    S –ns nd M  P N D P  |  M , G , - M ;     ;  ; - P D    N S N D   P M P D     ||

shyA- -  mE   --  saka   la  bhuvana sA— - rva  bhau-     mE    -  -  shashi maN-dala  ma- dyagE